內容目錄
搶票搶到爛掉的英國原畫展～展區分為四大單元：
Ⅰ. 人文的甦醒：歐洲文藝復興繪畫
相較以宗教為中心的中世紀，十四世紀「文藝復興」藝術審美觀從神所支配的世界，改為以人本為中心。
Saint Jerome in his Study
書房中的聖傑洛姆 about 1475
Saint Jerome in his Study
書房中的聖傑洛姆 about 1475
Saint Jerome in his Study
書房中的聖傑洛姆 about 1475
The Rape of Ganymede
被強擄的加尼米德 about 1575
The Rape of Ganymede
被強擄的加尼米德 about 1575
The Rape of Ganymede
被強擄的加尼米德 about 1575
The Virgin and Child with the Infant Saint John the
Baptist (‘The Garvagh Madonna’)
聖母子與施洗者約翰（加瓦聖母）about 1510–11
The Virgin and Child with the Infant Saint John the
Baptist (‘The Garvagh Madonna’)
聖母子與施洗者約翰（加瓦聖母）about 1510–11
The Virgin and Child with the Infant Saint John the
Baptist (‘The Garvagh Madonna’)
聖母子與施洗者約翰（加瓦聖母）about 1510–11
Portrait of a Lady, perhaps Contessa Lucia Albani
Avogadro (‘La Dama in Rosso’)
女士肖像，也許是伯爵夫人露西亞．阿爾巴尼．阿伏加
德羅（紅衣女士）about 1556–60
Portrait of a Lady, perhaps Contessa Lucia Albani
Avogadro (‘La Dama in Rosso’)
女士肖像，也許是伯爵夫人露西亞．阿爾巴尼．阿伏加
德羅（紅衣女士）about 1556–60
Portrait of a Lady, perhaps Contessa Lucia Albani
Avogadro (‘La Dama in Rosso’)
女士肖像，也許是伯爵夫人露西亞．阿爾巴尼．阿伏加
德羅（紅衣女士）about 1556–60
Portrait of a Lady (‘La Schiavona’)
女士肖像（來自達爾馬提亞的女士）about 1510–12
Portrait of a Lady (‘La Schiavona’)
女士肖像（來自達爾馬提亞的女士）about 1510–12
Portrait of a Lady (‘La Schiavona’)
女士肖像（來自達爾馬提亞的女士）about 1510–12
The Virgin and Child Enthroned, with Four Angels
寶座上的聖母子與四位天使 about 1506–9
The Virgin and Child Enthroned, with Four Angels
寶座上的聖母子與四位天使 about 1506–9
The Virgin and Child Enthroned, with Four Angels
寶座上的聖母子與四位天使 about 1506–9
Ⅱ. 從王室到平民：巴洛克繪畫
宗教改革間接促成巴洛克藝術的流行。畫家為宮廷增添華麗的氛圍；新教國家因為中產階級興起，藝術家的創作題材變得十分多元。
Saint Mary Magdalene
抹大拉的瑪利亞 about 1634–5
Saint Mary Magdalene
抹大拉的瑪利亞 about 1634–5
Saint Mary Magdalene
抹大拉的瑪利亞 about 1634–5
The Virgin in Prayer
祈禱的聖母 about 1640–50
The Virgin in Prayer
祈禱的聖母 about 1640–50
The Virgin in Prayer
祈禱的聖母 about 1640–50
Boy bitten by a Lizard
被蜥蜴咬傷的男孩 about 1594–5
Boy bitten by a Lizard
被蜥蜴咬傷的男孩 about 1594–5
Boy bitten by a Lizard
被蜥蜴咬傷的男孩 about 1594–5
Self Portrait at the Age of 63
六十三歲自畫像 1669
Self Portrait at the Age of 63
六十三歲自畫像 1669
Self Portrait at the Age of 63
六十三歲自畫像 1669
A Musical Party in a Courtyard
庭院裡的音樂會 1677
A Musical Party in a Courtyard
庭院裡的音樂會 1677
A Musical Party in a Courtyard
庭院裡的音樂會 1677
Ⅲ. 探索與創造：壯遊風潮
「壯遊」帶給英國貴族子弟不只結交上流、增進藝術涵養，也委託當地畫家作畫；文化交流促使藝術家探索新的繪畫技巧。
A River with Fishermen
有漁民的河流 1751
A River with Fishermen
有漁民的河流 1751
A River with Fishermen
有漁民的河流 1751
Venice: Entrance to the Cannaregio
威尼斯：卡納雷吉歐區入口 probably 1734–42
Venice: Entrance to the Cannaregio
威尼斯：卡納雷吉歐區入口 probably 1734–42
Venice: Entrance to the Cannaregio
威尼斯：卡納雷吉歐區入口 probably 1734–42
The Parting of Hero and Leander from the Greek of Musaeus
海洛和利安德的離別（出自希臘詩人穆塞厄斯）before 1837
The Parting of Hero and Leander from the Greek of Musaeus
海洛和利安德的離別（出自希臘詩人穆塞厄斯）before 1837
The Parting of Hero and Leander from the Greek of Musaeus
海洛和利安德的離別（出自希臘詩人穆塞厄斯）before 1837
Stratford Mill
史特拉福磨坊 1820
Stratford Mill
史特拉福磨坊 1820
Stratford Mill
史特拉福磨坊 1820
Portrait of a Lady (Madame de Gléon?)
女士肖像（格萊昂夫人？）about 1760
Portrait of a Lady (Madame de Gléon?)
女士肖像（格萊昂夫人？）about 1760
Portrait of a Lady (Madame de Gléon?)
女士肖像（格萊昂夫人？）about 1760
Portrait of John Scott (?) of Banks Fee
班克斯費的約翰．斯科特（？）肖像 1774
Portrait of John Scott (?) of Banks Fee
班克斯費的約翰．斯科特（？）肖像 1774
Portrait of John Scott (?) of Banks Fee
班克斯費的約翰．斯科特（？）肖像 1774
Portrait of Charles William Lambton (‘The Red Boy’)
查爾斯．威廉．蘭姆頓肖像（紅衣男孩）1825
Portrait of Charles William Lambton (‘The Red Boy’)
查爾斯．威廉．蘭姆頓肖像（紅衣男孩）1825
Portrait of Charles William Lambton (‘The Red Boy’)
查爾斯．威廉．蘭姆頓肖像（紅衣男孩）1825
Ⅳ. 光線與色彩：印象派繪畫
印象派興起於十九世紀的巴黎，該名詞最早來自對一群藝術家不以為然的藝術評論；主要代表人物包括馬內、塞尚、雷諾瓦和莫內。
Irises
鳶尾花 about 1914–17
Irises
鳶尾花 about 1914–17
Irises
鳶尾花 about 1914–17
Wineglasses
酒杯 probably 1875
Wineglasses
酒杯 probably 1875
Wineglasses
酒杯 probably 1875
Long Grass with Butterflies
長草地與蝴蝶 1890